Queen Anne Style Blanket Chest

The Queen Anne style of furniture and blanket chestsand scrolls.
emerged in England during the reign Queen AnneSince the Queen Anne style furniture and blanket
(1702-1714). Furniture and blanket chests in this stylechests had so little in the way of wood embellishments,
show absolute preference for simplicity. The beauty ofthis gave rise to the use of textiles for decoration. The
line was extremely more important to the woodhuge demand for upholstered furniture spurred the
artisan than was heavy ornamentation. This was inproduction of high standard embroidery of exquisite
marked contrast to the fashionable furniture that haddetail, in both home and factory. These furniture
been created since the Restoration in Europe. Stylestextiles combined Indian and Chinese motifs and
such as the Baroque style and the Louis XIV styleingenious flora and fauna designs made from wool and
were too lavish in embellishment and carved designfine silk. Extra special designs employed the use of
elements.silver and gold threads. Blanket chests were given
The Queen Anne style furniture and blanket chestslarge cushions to create a seating area.
offered simpler pieces which were curvilinear in styleThe lack of highly decorative styling in the Queen
with the cabriole leg as the support for most furnitureAnne furniture and blanket chests form also induced
types. This leg made for an elegant line, the S-curve,the use of many different foot types and cornice
which is the most important feature of this style. Alongstyles. Tallboys, toilet mirrors, desks, blanket chests and
with the cabriole leg, the other important elements ofother heavy pieces used ball, splay, ogee, bracket and
this style that derived from the S-curve are thepaneled bracket feet. Blanket chests of later design
scrolled pediment, scalloped apron, vase-shaped splatswere mainly given ogee, bracket or ball feet. Chairs,
and the curved chair back. This elongated S-shapedtripod tables, day beds and card tables used pad, claw
curve was called "The Line of Beauty" by Williamand ball, scroll and paw feet. Bookcases and cabinets
Hogarth, a British engraver and satirist.went through three different cornice phases. The first
Many of the Queen Anne furniture pieces were madewas a smooth, graceful form, the second had a roman
without stretchers which disrupted the flow of theinfluence and the third was known as the swan neck.
curves. This was possible since the cabriole legs wereThe most distinctive Queen Anne piece was the
cut from one piece of square timber which allowedhooped-backed chair. This new chair,also known as a
wood artisans to cut strong, unmovable joints. Thisbended-back, was a very comfortable seat. It featured
style was usually made with all-over veneers, mostlya solid splat-back which curved to fit the occupants
of Walnut, which has beautiful figuring in the woodspine and the elegant cabriole legs. Carving was used
grain. The only decorative features retained fromsparingly. A scallop shell was sometimes added to the
earlier styles were the cross and feather bandingseat rail and other designs were added to the knees
which defined the boundaries of the drawer and doorof the chair legs. The chair arms differed also with the
panels and the restricted use of carving detail,termination being scrolling, shepherd's crook, lion's head
especially on blanket chests. When used, smallor eagle's head designs.
amounts of carving decorated the knees of chair legs,With the curvilinear S-curve as the base in the many
the cornices for bookcases and cabinets, the sides ofdesign elements, this style reached great sophistication
card tables and the backing of chairs and dayin America. The Queen Anne style furniture and
beds.These decorative features included forms ofblanket chests crafted, then and now, are unique and
scallop shells, lion's masks, cartouches, husk ornamentsdynamic in design.